Sipping his hot tea and clutching script in hand, Jeremy Bergen walks towards the school in preparation of the final rehearsal of the student directed one-act play, For the Pleasure of Seeing Her Again. The past two months of work have lead up to this weekend. “Believe me,” Bergen says, “in an hour and a half play with a cast of two, this is the most memorizing I’ve ever had to do for a single play.”
Jay Berg Daily takes you on a special backstage peek at the production of For the Pleasure of Seeing Her Again from the perspective of actor, Jeremy Bergen, and his preparations during the process. It started in September with auditions. Bergen claims that he initially had a good feeling about his audition, considering he was the only male participant. Soon after, he received the script. Shocked by the size of the one-act script, but nevertheless determined to stick to his commitment, Bergen went forth and began work on the dialogue-heavy script.
The play consists of a Narrator (played by Bergen) who is recalling past memories of his mother who has passed on. Throughout the course of the play, Narrator recreates his memories from his chair while his mother, Nana, plays them out in front of his eyes, exchanging dialogue throughout but almost never interacting physically. It is a story of appreciation and gratitude of a person’s roots and the most preliminary source of creative success.
Rehearsing for two hours twice a week, trying to get through the dialogue-heavy, 70 page script, complete with plentiful monologues for both characters (the biggest being about four pages for the Nana character), the cast and the director worked through it bit by bit every week, scene by scene. When people are immersed in school, other theatre commitments, and life in general, memorization on some scenes, unfortunately, took second priority.
Jeremy Bergen, and his fellow cast member, Alexandra Smith, have both attended Providence College for a number of years and have worked together in previous years, but never in such an intimate environment as a cast of two and 15 foot wide set. Over the course of rehearsal, Bergen claims that certain mother-son chemistry is present when on set.
The big challenges for the production of this play were the sheer amount of words that were needed to commit to memory, the time restraints of needing to get it performance ready in less than a semester (which resulted in lack of some helpful characterization exercises), and the logical configuration of the supernatural elements of the plot, and the alteration of the rather expensive-sounding original ending.
This weekend wraps up the production process of For the Pleasure of Seeing Her Again, with a tech rehearsal on Friday night, a dress rehearsal on Saturday night, and the final performance on Sunday night at 7:00pm, in the R.W. Affleck Chapel at Providence College. Admission is free and is on a first come, first serve basis.
To quote a line from the play (with minor alteration), Bergen had this to say about the nerve-wracking, yet rewarding performance, “Hark, [it] cometh this way.”